I do think this is a film worth seeing, so obviously, I say see it.
Public Enemies (2009)
Tomatometer
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Reviews Counted:37
Fresh:22
Rotten:15
Average Rating:6/10
Consensus: Michael Mann's latest is a competent and technically impressive gangster flick with charismatic lead performances, but some may find the film lacks truly compelling drama.
Rated: R [See Full Rating] for gangster violence and some language.
Runtime: 2 hrs 20 mins
Genre: Dramas
Theatrical Release:Jul 1, 2009 Wide
Box Office: $97,030,725
Synopsis: Johnny Depp and Christian Bale emerge from two of the biggest blockbuster series of all time (Pirates of the Caribbean and Batman, respectively) to star in this crime drama from HEAT director... Johnny Depp and Christian Bale emerge from two of the biggest blockbuster series of all time (Pirates of the Caribbean and Batman, respectively) to star in this crime drama from HEAT director Michael Mann. Depp stars as charismatic 1930s gangster John Dillinger, whose notorious bank robberies have turned him into a celebrity during the Depression era. The rise in crime has J. Edgar Hoover (Billy Crudup) desperate to have his newly created FBI take down gangsters such as Dillinger, "Pretty Boy" Floyd (Channing Tatum), and "Baby Face" Nelson (Stephen Graham). Enter Agent Melvin Purvis (Bale), an ambitious crimefighter sent to Chicago to capture Dillinger and his gang. The criminal has evaded the law before, but he is drawn to the Second City by the beautiful Billie Frechette (Marion Cotillard). Though PUBLIC ENEMIES boasts big names, it feels more like an arthouse offering than a typical gangster picture. With its intimately shot violence and 1930s setting, the film is more BONNIE AND CLYDE than GOODFELLAS. Mann and director of photography Dante Spinotti alternate between hand-held, high-quality digital cameras and more traditional film stock, giving this crime drama a carefully composed, thoroughly modern look. But the casting of the leads is vintage Hollywood: Depp could be the modern incarnation of silent star Rudolph Valentino, and Cotillard’s wide-eyed beauty--and talent--would fit right in with the starlets of the golden age. Everyone else, including Bale, fades into the background, but it’s hard to complain when Depp and Cotillard give such magnetic performances. [More]
Starring: Johnny Depp, Christian Bale, Marion Cotillard, Jason Clarke
Starring: Johnny Depp, Christian Bale, Marion Cotillard, Jason Clarke, Rory Cochrane, Billy Crudup, Stephen Dorff, Stephen Lang, John Ortiz, Giovanni Ribisi, David Wenham, John Michael Bolger, Bill Camp, Matt Craven, Emilie de Ravin, Don Frye, Spencer Garrett, Shawn Hatosy, Peter Gerety, Stephen Graham
Director: Michael Mann
Director: Michael Mann
Screenwriter: Ronan Bennett, Michael Mann, Ann Biderman
Producer: Kevin Misher, Michael Mann
Composer: Elliot Goldenthal
Studio: Universal Pictures
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Reviews for Public Enemies
Some strong performances, but I expected more from this great director and stellar cast.
If John Dillinger had not existed... Michael Mann would have had to invent him.
Our connections with Public Enemies remain abstract. The darkness and the distance kill the fun.
The best rejoinder to Public Enemies is Michael Jackson’s Smooth Criminal video... It’s a tommy-gun gangster fantasia with a touch of Guys and Dolls, and it’s everything Public Enemies isn’t.
Mann excels at staging the chaotic bank jobs and bloody shootouts that were just a day at the office for Dillinger, but even at 140 minutes the movie is so dense with incident that there isn't much room for cultural comment or character development.
The underconceived Public Enemies suffers from that lack of drive, though Johnny Depp is so urgent and charismatic as John Dillinger, he provides enough firepower to make the film legit.
It fits neatly on the shelf with Bonnie and Clyde and The Godfather.
Although Public Enemies does not ascend to the heights of Bonnie and Clyde or The Untouchables, it is nevertheless an effective depiction of the final months of the life of one of the United States' most infamous criminals.
With Public Enemies, he has made an impressive film of great formal skill, one that inescapably has a brooding dark-night-of-the-soul quality about it.
Director Michael Mann has taken the story of John Dillinger, and has made from it a drama full of dread and atmosphere, a 140-minute film that in no way seems long, that's a succession of compelling scenes, with no dead wood.
More interesting than involving, Public Enemies focuses on history at the expense of the characters that lived that history. It's all story without emotional impact.
Public Enemies is as elegant and muscular a film as one could hope for in a summer of flash and noise. Which is not to say director Michael Mann's gangster saga lacks flash and simmer.
With its measured, team-produced screenplay by Mann, Ronan Bennett, and Ann Biderman, Public Enemies makes heavy business of the notion that Hoover ushered in
 an era of ethically elastic law-enforcement procedures still recognizable today.
Amid the summer season of spectacle and silliness, Public Enemies appears as an oasis of adult entertainment.
Mann and co-screenwriters Ronan Bennett and Ann Biderman faithfully adapt the Dillinger portion of Bryan Burrough's absorbing 2004 book by the same name, using the same locations where famous breakouts and shootouts occurred.
Director Michael Mann mounts a technically proficient, visually enthralling crime drama anchored by the low-key but captivating performance of Johnny Depp as legendary bank robber John Dillinger.
Public Enemies, despite packing thunderous rounds of ammunition, is a touch too remote.
Even when Dillinger is at rest, Public Enemies exudes a nervous tension, the sense that flight is imminent.
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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