Mammoth features sensational moments of reaction and deliberation communicated by a gifted cast, building a few symbolic global bridges, more appreciable for their design than their destination.
Mammoth (2009)
Tomatometer
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Reviews Counted:19
Fresh:11
Rotten:8
Average Rating:5.8/10
Rated: Not Rated
Genre: Dramas
Theatrical Release:Nov 20, 2009 Limited
Synopsis: Mammoth revolves around successful New York couple Leo (Gael Garcia Bernal) and Ellen (Michelle Williams). Leo is the creator of a booming website, and has stumbled into a world of money and big... Mammoth revolves around successful New York couple Leo (Gael Garcia Bernal) and Ellen (Michelle Williams). Leo is the creator of a booming website, and has stumbled into a world of money and big decisions. Ellen is a dedicated emergency surgeon who devotes her long shifts to saving lives. Their 8-year old daughter Jackie (Sophie Nyweide) spends most of her time with her Filipino nanny Gloria (Marife Necesito), a situation that is making Ellen start to question her priorities. When Leo travels to Thailand on business, he unwittingly sets off a chain of events that will have dramatic consequences for everyone. --© IFC [More]
Starring: Gael Garcia Bernal, Michelle Williams
Starring: Gael Garcia Bernal, Michelle Williams
Director: Lukas Moodysson
Director: Lukas Moodysson
Screenwriter: Lukas Moodysson
Studio: IFC Films
Reviews for Mammoth
Too many films exploit the perils faced by children when the social contract is ruptured, but Mammoth earns its cruel, sensationalistic turns and then some.
The message of the movie seems to be that Americans can solve guilt by paying the right person.
Features various storylines centered on the same weighty themes, which mean to say so much about the human condition and modernity that they end up saying perilously little.
The overlapping stories, the emotional disconnect, the heavy-handed symbolism -- no, it's not a movie from the makers of Babel, its a mumbling, stammering copycat drama from Swedish director Lukas Moodysson.
Takes a bit too long to get going and perhaps bites off more thematically than it can chew, but it has too many intriguing ideas and spectacular performances to be dismissed.
In Mammoth, when a rich child eats her lunch in New York, a poor boy in the Philippines cries. And so it goes, as privilege begets exploitation with grimly deterministic logic and pages and pages of bad dialogue.
Less obsessed with coincidence and more interested in the ways people from various cultures connect, or don't quite connect, in everyday situations.
Focuses on the strong and universal desire of both the rich and the poor for a loving connection with their children and the obstacles which can hinder that intimacy.
The movie lacks the personal touch that’s distinguished even Moodysson’s "difficult" films.
Moodysson hasn’t exactly descended to Babel-level pabulum with Mammoth, his first foray into English...
English, Tagalog, and Thai are spoken in Swedish writer-director Lukas Moodysson's Mammoth, but he communicates only in the idiom of Crash and Babel: the Esperanto of feel-bad humanism.
It is all too simplistic and obvious and increasingly the preachy tone becomes irritating.
Moodysson actually really loves his characters and wants them to be happy, rather than putting stock characters though a series of heavily predictable trials and tribulations on the way to a forced happy ending.
It's an easy movie to snipe at, but its quest for authenticity, even in its most affluent characters, is honorable.
Comes with too much repetitive exposition and lacks an emotional payoff.
Latest News for Mammoth
November 19, 2009:
Critics Consensus: New Moon Wanes
This week at the movies, we've got hot teen vampires (The Twilight Saga: New Moon, starring Kristen Stewart and Robert Pattinson); a football family (The Blind Side, starring... More...
November 01, 2009:
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