Begins as a film about a crisis of faith and ends up with a crisis of identity itself.
Thirst (2009)
Tomatometer
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Reviews Counted:96
Fresh:79
Rotten:17
Average Rating:6.8/10
Consensus: The stylish Thirst packs plenty of bloody thrills to satisfy fans of both vampire films and director Chan Wook Park.
Rated: R [See Full Rating] for graphic bloody violence, disturbing images, strong sexual content, nudity and language.
Runtime: 2 hrs 13 mins
Genre: Horror/Suspense
Theatrical Release:Jul 31, 2009 Limited
Box Office: $296,441
Synopsis:
Sang-hyun is a priest who cherishes life; so much so, that he selflessly volunteers for a secret vaccine development project meant to eradicate a deadly virus. But the virus takes the priest, and a...
Sang-hyun is a priest who cherishes life; so much so, that he selflessly volunteers for a secret vaccine development project meant to eradicate a deadly virus. But the virus takes the priest, and a blood transfusion is urgently ordered up for him. The blood he receives is infected, so Sang-hyun lives – but now exists as a vampire. Struggling with his newfound carnal desire for blood, Sang-hyun’s faith is further strained when a childhood friend’s wife, Tae-ju (Kim Ok-vin), comes to him asking for his help in escaping her life. Sang-hyun soon plunges into a world of sensual pleasures, finding himself on intimate terms with the Seven Deadly Sins.
A CJ Entertainment and Focus Features International presentation of a Moho Film production. A Park Chan-wook Film. Song Kang-ho, Kim Ok-vin. Thirst. Kim Hae-sook, Shin Ha-kyun. Music by Cho Young-uk. Sound Recordist, Jung Gun. Sound Designed by Kim Suk-won, Kim Chang-sub. Costume Designer, Cho Sang-kyung. Make-up and Hair Designer, Song Jong-hee. Production Designer, Ryu Seong-Hie. Edited by Kim Sang-bum, Kim Jae-bum. Visual Effects Supervisor, Lee Jeon-Hyung. Lighting by Park Hyun-won. Cinematographer, Chung Chung-hoon. Investment Executive, Sean Lee. Associate Producer, Joon H. Choi. Co-Executive Producer, Katharine Kim. Executive Producer, Miky Lee. Produced by Park Chan-wook, Ahn Soo-hyun. Inspired by Émile Zola’s Thérèse Raquin. Written by Park Chan-wook, Chung Seo-kyung. Directed by Park Chan-wook. A Focus Features Release.
--© Official Site
Starring: Kang-ho Song, Ha-kyun Shin, Ok-bin Kim, Mercedes Cabral
Starring: Kang-ho Song, Ha-kyun Shin, Ok-bin Kim, Mercedes Cabral, Eriq Ebouaney, Oh Dal-su, Park In-hwan, Song Young-chang
Director: Chan Wook Park
Director: Chan Wook Park
Screenwriter: Chan Wook Park, Seo-Gyeong Jeong
Producer: Chan Wook Park, Ahn Soo-Hyun
Composer: Young-uk Cho
Studio: Focus Features
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Reviews for Thirst
The story of a noble priest resurrected as a vampire and plunged into a life of desire is opulently brought to the screen by one of South Korea's leading filmmakers.
Something must have bored writer/director Chan-wook Park, because the second and third acts of Thirst play like scenes out of a totally different and much more incoherent film.
What sets Park's film apart from the standard vampire picture has more to do with its tone, characterizations, and its strange blend of lyricism and pitch-black comedy.
Just when you thought you'd seen everything that could possibly be done with vampires, along comes something like Thirst.
A truly bizarre movie, a tragicomedy that Graham Greene might have written in collaboration with Bram Stoker. But it's repetitive and overstays its initial welcome.
Park is clearly an exceptional director capable of being weirdly funny, quirkily fantastical, brutal and sexy, sometimes at one and the same time. There’s no one quite like him.
Park directs with his usual eye-catching skill and attention to gruesome detail, and creates a story with strong emotional resonance.
A rollicking, hysterical splatter-sex-comedy only confirms ‘Thirst’ as one of the year’s more extreme, enjoyable entertainments.
With its rapacious appetites and forceful directing style, is definitely a vampire film for grown-ups.
Red blood and black humour spurt hard as Thirst reveals itself to be one of the most deliciously skewed incisions into the vampire romance subgenre.
There’s plenty to get your teeth into – just a shame you’ve got to wait so long for the main course.
A baroque shocker of sensuous unease and cinematic excess marbled with veins of jet-black comedy, Thirst is far from a perfect film, but it might still prove to be a great one.
Chan-wook's film is as gluttonous and stylish as I'm a Cyborg, but fortunately Thirst's renewed appetite for bloodlust and self-annihilation suits the director's pyrotechnics better.
While its most dazzling scenes recall David Cronenberg’s The Fly and Schrader’s Catpeople, it topples into self-parody in spells, as if John Waters was remaking In The Realm Of The Senses.
A fresh spin on the vampire myth resulting in a wildly inventive and blackly comic horror. Pity it's got more padding than the average fat suit.
Gruesome, disturbing, definitely over-long but strangely moving, Thirst brings vivid new ideas to an overworked genre.
Once on course, he is uncontrollable. I don’t mean the hero, I mean the director. Park’s gallows wit and visual inventiveness keep us alert for an hour amid the ramshackle story structuring.
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July 30, 2009:
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Thirst, the story of a priest who becomes a vampire following a failed medical experiment, was one of our favourites at this year's Cannes Film Festival. So when we had the... More...
July 16, 2009:
Park Chan-Wook Coming to Comic-Con for Thirst ![]()
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