A period piece that may play well with those who hate period pieces. [Blu-ray]
Easy Virtue (2009)
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Reviews Counted:113
Fresh:58
Rotten:55
Average Rating:5.8/10
Consensus: A lightweight and pithy Noel Coward adaptation with plenty of sparkle and fizz.
Rated: PG-13 [See Full Rating] for sexual content, brief partial nudity, and smoking throughout.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:May 22, 2009 Limited
Box Office: $2,537,150
Synopsis: Adapted from a Noel Coward play, EASY VIRTUE is essentially a tale of Old World manners vs. New World freedom. The year is 1929, and John Whitaker (Ben Barnes) has just married a feisty American... Adapted from a Noel Coward play, EASY VIRTUE is essentially a tale of Old World manners vs. New World freedom. The year is 1929, and John Whitaker (Ben Barnes) has just married a feisty American racecar driver named Larita (Jessica Biel). John is the eldest of the Whitakers--a prim English family--and when he returns home with Larita on his arm, his mother (Kristin Scott Thomas) is none too pleased. John's choice of a loud, brash American has raised everyone's eyebrows, including his sisters, Hilda (Kimberly Nixon) and Marion (Katherine Parkinson). The only person who seems to approve of Larita is Mr. Whitaker--John's weary, put-upon father (Colin Firth). Try as she might, Larita has a hard time impressing the icy, unforgiving Mrs. Whitaker, and indeed, the entire Whitaker clan proves to be a rather eccentric, unhappy bunch. John had promised Larita a short visit, but due to pressure from his mother, they stay longer than planned. Time drags on, and the friction between Mrs. Whitaker and Larita only gets worse. When Hilda digs up something scandalous from Larita's past, tensions bubble to a boiling point, and Larita is forced to face some rather hard truths about herself and her new husband. For fans of period films, EASY VIRTUE is a visual treat, set on a sprawling country estate and with gorgeous and impeccable costumes. Director Stephan Elliot (THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT) tries to inject a bit of modern zing by filling scenes with contemporary renditions of Cole Porter songs, while Biel and Scott Thomas breathe some life into their lightweight characters. Though the source play, with its airy plot, isn't one of Coward's most popular works, fans of Colin Firth's work in costume comedies and dramas will be delighted with the actor's performance here. [More]
Starring: Jessica Biel, Colin Firth, Kristin Scott Thomas, Ben Barnes
Starring: Jessica Biel, Colin Firth, Kristin Scott Thomas, Ben Barnes, Kris Marshall, Katherine Parkinson, Kimberly Nixon
Director: Stephan Elliott
Director: Stephan Elliott
Screenwriter: Stephan Elliott, Sheridan Jobbins
Producer: Barnaby Thompson, Joseph Abrams, James D. Stern
Composer: Marius De Vries
Studio: Sony Pictures Classics
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Reviews for Easy Virtue
Easy Virtue makes subtle comedy look easy. The ensemble is brilliant, and Noel Coward's play-brought-to-film is just good enough . . . .
This British drawing-room comedy feels awfully familiar but is redeemed by some tart performances.
A recent headline declared that [Jessica] Biel "is still trying to prove she's more than a pretty face." After Easy Virtue, she's still got something to prove.
Awkwardly conceived in a superficial reality that leaves its punch lines without much punch.
Biel's performance lacks the zing needed to jolt this comedy of manners.
Jessica Biel turns out to be up to the task of handling Coward's deliciously acidic lines and is well-matched with an impressive all-British cast in the sparkling "Easy Virtue."
If Colin Firth and Kristin Scott Thomas firing snarky bon mots at people for 90 minutes doesn't sound entertaining, I don't know what to tell you.
Biel holds her own with the seamless acting chops of Firth and Thomas. The movie benefits from a snappy musical score with familiar standout show tunes from Cole Porter.
Said husband, as well as the family's other members, are as bland and forgettable as the 1920s British cuisine on display.
Echoing the words of the great Porter song, Easy Virtue deliciously misbehaves.
In 1988, Sheridan Morley noted that Easy Virtue "remains of interest chiefly as Noel's elegant, laconic tribute to a lost world of drawing-room dramas." This gleefully inelegant movie tosses even that mild interest away.
Biel is not completely miscast in this role of the Other in the drawing-room midst, but she exudes a thoroughly contemporary air that never jibes with the Twenties tenor of the English manor-born in the decade after the Great War.
Will appeal only to Anglophiles who swoon at the sound of such words as 'codswallop'...
Sporadically engaging, Easy Virtue would do better swapping amusement for a more elusive quarry: truth.
To say that her casting doesn't work is an understatement. And there's not nearly enough of Coward's biting wit on display here.
Stephan Elliott is back with a vengeance. He's also back with a movie that's not only a worthy successor to Priscilla, it may be even better.
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