Never takes off.
Amelia (2009)
Tomatometer
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Reviews Counted:138
Fresh:28
Rotten:110
Average Rating:4.4/10
Consensus: Amelia takes the compelling raw materials of its subject’s life and does little with them, conventionally ticking off Earhart's accomplishments without exploring the soul of the woman.
Rated: PG [See Full Rating] for some sensuality, language, thematic elements and smoking
Genre: Dramas
Theatrical Release:Oct 23, 2009 Wide
Box Office: $13,986,210
Synopsis:
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary...
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary aviation pioneer Amelia Earhart (two time Academy Award® winner Hilary Swank).
After becoming the first woman to fly across the Atlantic, Amelia was thrust into a new role as America's sweetheart - the legendary "goddess of light," known for her bold, larger-than-life charisma. Yet, even with her global fame solidified, her belief in flirting with danger and standing up as her own, outspoken woman never changed. She was an inspiration to people everywhere, from First Lady Eleanor Roosevelt (Cherry Jones) to the men closest to her heart: her husband, promoter and publishing magnate George P. Putnam (Golden Globe® winner Richard Gere), and her long time friend and lover, pilot Gene Vidal (Ewan McGregor). In the summer of 1937, Amelia set off on her most daunting mission yet: a solo flight around the world that she and George both anxiously foresaw as destined, whatever the outcome, to become one of the most talked-about journeys in history. --© Fox Searchlight
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Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston
Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston, Joe Anderson
Director: Mira Nair
Director: Mira Nair
Screenwriter: Ron Bass, Anna Hamilton Phelan
Producer: Ted Waitt, Kevin Hyman, Lydia Dean Pilcher
Composer: Gabriel Yared
Studio: Fox Searchlight Pictures
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Reviews for Amelia
Amelia provides only a cursory look at Earhart's commercialization, more a way to delineate her marriage troubles than investigate her self-image or her treatment as a pop star.
Much like one of Earhart's trans-Atlantic flights Amelia just goes on and on without deviation.
When it takes to the skies Amelia really soars with thrilling recreations of Earhart’s solo flights but when it returns to earth all that remains is soap opera.
Swank’s moving performance, the period dressing and beautiful planes all appeal, but dramatically it doesn’t really soar.
Inoffensive, arcane and ultimately rather sweet, ‘Amelia’ is one to take your grandmother to.
Hilary Swank is forced to deliver dialogue that sounds as if it was written in Chinese and then translated into English by a computer.
A tinny and barnacled affair, showcasing a peculiarly awful performance from Hilary Swank.
If you’re the kind of person who deplores the modern vogue for debunking historical figures, and who welcomes the opportunity to indulge in heroic feats and lush landscapes... then this is the film for you.
The movie is so dragging and dull that it's a squandered opportunity.
[Earhart's] trajectory from bubbling wannabe to national treasure is never less than compelling thanks to a no-nonsense performance from Swank.
An extraordinary life winds up feeling like a series of random blips on the radar screen.
For a movie that desperately wants to be inspirational, Mira Nair's Amelia is a disappointingly earthbound hagiography.
Amelia was a great adventurer and an inspirational woman. But you would hardly know it from this uninspiring romantic slush.
Woodenly acted and grinningly bland, this Amelia Earhart life story turns Hilary Swank and Richard Gere, playing the aviatrix’s publisher husband, into virtual Thunderbirds puppets.
The look of the movie – suave Art Deco lines and 1930s fashions – is blameless, though helpless to counter the Ron Bass screenplay, guaranteed to drain the life out of any drama it touches.
Amelia is never less than watchable thanks to gorgeous cinematography and strong performances but the script's insistence on playing it safe prevents it from becoming the film it could have been.
Last time Swankatron went a-courting awards, she did so with the amazing Million Dollar Baby. But this biopic of legendary pilot Amelia Earhart is a hundred times blander.
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