Torino proves a grand exit for Eastwood.
Gran Torino (2008)
Tomatometer
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Reviews Counted:205
Fresh:163
Rotten:42
Average Rating:7.1/10
Consensus: Though a minor entry in Eastwood's body of work, Gran Torino is nevertheless a humorous, touching, and intriguing old-school parable.
Runtime: 2 hrs 10 mins
Genre: Dramas
Theatrical Release:Dec 12, 2008 Limited
Box Office: $148,055,047
Synopsis: For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family.... For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family. Set in contemporary Detroit, GRAN TORINO tackles the shifting cultural and economic landscape of not only the Motor City, but America as well. Eastwood stars as Walt Kowalski, an unabashed bigot who never heard a racial insult he didn't love. Bitter, haunted, and full of pride, Walt refuses to abandon the neighborhood he's lived in for decades despite its changing demographics as he clings desperately to a mindset long since out of step with the times. When his Hmong neighbor Thao tries to steal his prized muscle car as part of a gang initiation, Walt is forced to grapple with the world around him. GRAN TORINO's approach to the complicated issue of race relations is equal parts Archie Bunker and CRASH. That is to say, there is nothing subtle about Walt's bigotry, yet his misanthropy knows no bounds, and Eastwood does a remarkable job of finding the humor in Walt's equal opportunity racism. More than simply a racial morality tale, however, GRAN TORINO is about the unlikely bonds that people form to navigate the subtle complexities every day life. Like MILLION DOLLAR BABY, GRAN TORINO explores the challenging yet rich new world that can open up when individuals let down their guard, even if for just a moment. Estranged from his family and his church, and without any sense of personal peace, Walt offers all that he has to Thao and his family, namely wisdom and protection. When tragedy strikes the family, Eastwood allows a little classic Harry Callahan to poke through, but the surprising finale posits a hero that Dirty Harry would never have the guts to be. It's a potent symbolic gesture to Eastwood's own growth as a storyteller. [More]
Starring: Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her
Starring: Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her, Geraldine Hughes, Dreama Walker, Brian Howe, John Carroll Lynch, Scott Reeves
Director: Clint Eastwood
Director: Clint Eastwood
Screenwriter: Nick Schenk
Story: Dave Johannson, Nick Schenk
Producer: Clint Eastwood, Robert Lorenz, Bill Gerber
Composer: Kyle Eastwood, Michael Stevens
Studio: Warner Bros.
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Reviews for Gran Torino
Awkward as a social drama - as if Eastwood had only lately seen Boyz N the Hood - yet as another one of his meditations on aging, the movie is on to something.
Clint Eastwood's steady directorial hand proves instrumental in smoothing over the few overtly ineffective elements within Nick Schenk's admittedly far-from-subtle screenplay.
[Eastwood] seems to have inherited a quality most often seen in great European filmmakers %u2014 the ability to both age gracefully, and channel his life experience into his work.
It is familiar, but only to a point. Suddenly, that point is past and much more serious questions come up, questions of responsibility, of vengeance, of the efficacy of blood for blood.
For all its neat moral and psychological elements, Nick Shenck's screenplay provides a terrific platform for Eastwood to tease out the many layers that make the film so satisfying and so real
Master craftsman Clint Eastwood snarls Walt Kowalski into life in a sublime character study as a man who knows more about death than he does life, and discovers redemption when he least expects it
It's not necessary to be familiar with Eastwood's career arc to enjoy Gran Torino, but it does amplify the appreciation for the manner in which the topic of violence is approached.
The uninspired screenplay and all too obvious cast of novices make the film feel more like charity work on the part of its engaging director and star.
Gran Torino gets laughs when it wants to be funny, earns your empathy when it wants to be affecting, and makes you think when it speaks its mind.
Eastwood grunts, snarls, curses and gives young punks the stink-eye with precision, playing his most racist character ever for entertainment and comic purposes.
An ideal platform for writer/ director Clint Eastwood to show the world that, at 78 years of age, he's at the top of his game.
Eastwood has said that, at age 78, this may be his last time in front of the camera. I urge you not to miss a legend at the top of his game
An okay film that has a few moments of brilliance but for the most part is a mediocre drama.
At 78 you still believe Clint Eastwood is a seriously dangerous man. I wouldn't want to fight him. Some say this is his best-ever performance. That's hard to argue.
[As the] central character, senior citizen and anti-social Walt Kowalski, Eastwood gets to literally snarl dozens of times at life's tics and impositions... ...A beautifully realized film.
Old guys teaching newbies the way of the land without political correctness. Now if we could just do this in the schools.
Latest News for Gran Torino
June 08, 2009:
RT on DVD: Gran Torino, Crossing Over, Nobel Son Exclusive Look
This week on DVD, celebrate the big screen heroics of two former movie heroes (Clint Eastwood in Gran Torino, Harrison Ford in Crossing Over) or watch Clive Owen and Naomi Watts... More...
January 19, 2009:
Box Office Guru Wrapup: Paul Blart Segways Ahead of the Competition
This weekend the North American box office was on fire once again as four new releases all scored muscular debuts helping to drive the marketplace to the biggest January weekend... More...
January 11, 2009:
Box Office Wrapup: Clint Races to #1 with Gran Torino
Clint Eastwood scored the biggest wide opening of his career with his latest effort Gran Torino which raced past the competition in its first weekend of national play to swipe... More...
January 08, 2009:
Critics Consensus: Say "I Don't" To Bride Wars
This week at the movies, we've got a bridal battle (Bride Wars, starring Anne Hathaway and Kate Hudson); a cranky car enthusiast (Gran Torino, directed by and starring Clint... More...
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