Old guys teaching newbies the way of the land without political correctness. Now if we could just do this in the schools.
Gran Torino (2008)
Tomatometer
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Reviews Counted:206
Fresh:164
Rotten:42
Average Rating:7.1/10
Consensus: Though a minor entry in Eastwood's body of work, Gran Torino is nevertheless a humorous, touching, and intriguing old-school parable.
Runtime: 2 hrs 10 mins
Genre: Dramas
Theatrical Release:Dec 12, 2008 Limited
Box Office: $148,055,047
Synopsis: For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family.... For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family. Set in contemporary Detroit, GRAN TORINO tackles the shifting cultural and economic landscape of not only the Motor City, but America as well. Eastwood stars as Walt Kowalski, an unabashed bigot who never heard a racial insult he didn't love. Bitter, haunted, and full of pride, Walt refuses to abandon the neighborhood he's lived in for decades despite its changing demographics as he clings desperately to a mindset long since out of step with the times. When his Hmong neighbor Thao tries to steal his prized muscle car as part of a gang initiation, Walt is forced to grapple with the world around him. GRAN TORINO's approach to the complicated issue of race relations is equal parts Archie Bunker and CRASH. That is to say, there is nothing subtle about Walt's bigotry, yet his misanthropy knows no bounds, and Eastwood does a remarkable job of finding the humor in Walt's equal opportunity racism. More than simply a racial morality tale, however, GRAN TORINO is about the unlikely bonds that people form to navigate the subtle complexities every day life. Like MILLION DOLLAR BABY, GRAN TORINO explores the challenging yet rich new world that can open up when individuals let down their guard, even if for just a moment. Estranged from his family and his church, and without any sense of personal peace, Walt offers all that he has to Thao and his family, namely wisdom and protection. When tragedy strikes the family, Eastwood allows a little classic Harry Callahan to poke through, but the surprising finale posits a hero that Dirty Harry would never have the guts to be. It's a potent symbolic gesture to Eastwood's own growth as a storyteller. [More]
Starring: Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her
Starring: Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her, Geraldine Hughes, Dreama Walker, Brian Howe, John Carroll Lynch, Scott Reeves
Director: Clint Eastwood
Director: Clint Eastwood
Screenwriter: Nick Schenk
Story: Dave Johannson, Nick Schenk
Producer: Clint Eastwood, Robert Lorenz, Bill Gerber
Composer: Kyle Eastwood, Michael Stevens
Studio: Warner Bros.
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Reviews for Gran Torino
If Gran Torino is Clint Eastwood's last acting gig, he's gone out in top form.
For Eastwood, the movie is a slight, easy breeze to the end. But he's terrific in the role, the supporting cast is just as good, and as a result, the movie is well worth seeing.
If you've had the grandfather from a different generation who didn't worry about being politically correct, you should find some familiarity with which you can identify.
This is among his lesser recent movies, which doesn't diminish its likability. In fact, it's pleasing to see Eastwood working the middle of the emotional register for a change.
Maybe it’s his no-nonsense style -- unaffected acting, matter-of-fact cinematography, the deft juggling of emotional opposites -- but Gran Torino seems to unfold effortlessly in the hands of a master.
It's interesting to note that [Eastwood's] still going strong at 78. What's even more interesting is that the last two decades includes some of the finest work of his career.
Clint Eastwood delivers a stunning performance as an angry old man who begins to question his negative opinion about his Hmong neighbors.
Eastwood is funny this time around. Sure, the crumedgeon isn't taking bouncy balls to the crotch like some slapstick hack or dressing up as a dozen fat relatives at the dinner table like Eddie Murphy, but he made me laugh popping off ethnic barbs.
Its bluntness and sincerity -- and the undistracted momentum of its storytelling -- are like splashes of cold water in a face gone slack from a surfeit of irony and sophistication.
Swirls with a textured and tangled complexity that results in a series of intimate, emotional and jaw-dropping moments in cinema.
"Gran Torino" will knock your socks off, but be prepared to have some ear bleeding after all the graphic comments and cursing you will hear."
Gran Torino gives us an opportunity -- growing rarer each year -- to watch a national treasure for two hours. Make that a national treasure who continues, as a filmmaker, to challenge ideas about what it means to be an American.
Where Gran Torino fails at social criticism, it succeeds at capturing an engrossing snapshot of the human saga. If it’s Clint’s last film, it’s a perfect ending.
[Eastwood] has framed his career in a new way. The youthful embrace of violence as entertainment has given way to a mature rue at the waste, pain and loss that even make-believe death entails.
Eastwood's second film this year is a compelling study of anger and violence and the guilt and shame that shadow them. He has sat high in the saddle for decades, but rarely has he ridden so tall as in the driver's seat of Gran Torino.
Gran Torino is the most obvious and least interesting of the four movies [Eastwood's] directed in the last two years.
It's a well-crafted character, stuck in a bad movie, which is a back-handed compliment considering Eastwood produced and directed as well. Now it's time for a PBR and a cigarette. Man, Walt is influential.
Latest News for Gran Torino
June 08, 2009:
RT on DVD: Gran Torino, Crossing Over, Nobel Son Exclusive Look
This week on DVD, celebrate the big screen heroics of two former movie heroes (Clint Eastwood in Gran Torino, Harrison Ford in Crossing Over) or watch Clive Owen and Naomi Watts... More...
January 19, 2009:
Box Office Guru Wrapup: Paul Blart Segways Ahead of the Competition
This weekend the North American box office was on fire once again as four new releases all scored muscular debuts helping to drive the marketplace to the biggest January weekend... More...
January 11, 2009:
Box Office Wrapup: Clint Races to #1 with Gran Torino
Clint Eastwood scored the biggest wide opening of his career with his latest effort Gran Torino which raced past the competition in its first weekend of national play to swipe... More...
January 08, 2009:
Critics Consensus: Say "I Don't" To Bride Wars
This week at the movies, we've got a bridal battle (Bride Wars, starring Anne Hathaway and Kate Hudson); a cranky car enthusiast (Gran Torino, directed by and starring Clint... More...
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