Tricky territory, but surprisingly the whole thing comes off as disarming.
Gran Torino (2008)
Tomatometer
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Reviews Counted:205
Fresh:163
Rotten:42
Average Rating:7.1/10
Consensus: Though a minor entry in Eastwood's body of work, Gran Torino is nevertheless a humorous, touching, and intriguing old-school parable.
Runtime: 2 hrs 10 mins
Genre: Dramas
Theatrical Release:Dec 12, 2008 Limited
Box Office: $148,055,047
Synopsis: For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family.... For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet's reluctant friendship with a Hmong teenage boy and his immigrant family. Set in contemporary Detroit, GRAN TORINO tackles the shifting cultural and economic landscape of not only the Motor City, but America as well. Eastwood stars as Walt Kowalski, an unabashed bigot who never heard a racial insult he didn't love. Bitter, haunted, and full of pride, Walt refuses to abandon the neighborhood he's lived in for decades despite its changing demographics as he clings desperately to a mindset long since out of step with the times. When his Hmong neighbor Thao tries to steal his prized muscle car as part of a gang initiation, Walt is forced to grapple with the world around him. GRAN TORINO's approach to the complicated issue of race relations is equal parts Archie Bunker and CRASH. That is to say, there is nothing subtle about Walt's bigotry, yet his misanthropy knows no bounds, and Eastwood does a remarkable job of finding the humor in Walt's equal opportunity racism. More than simply a racial morality tale, however, GRAN TORINO is about the unlikely bonds that people form to navigate the subtle complexities every day life. Like MILLION DOLLAR BABY, GRAN TORINO explores the challenging yet rich new world that can open up when individuals let down their guard, even if for just a moment. Estranged from his family and his church, and without any sense of personal peace, Walt offers all that he has to Thao and his family, namely wisdom and protection. When tragedy strikes the family, Eastwood allows a little classic Harry Callahan to poke through, but the surprising finale posits a hero that Dirty Harry would never have the guts to be. It's a potent symbolic gesture to Eastwood's own growth as a storyteller. [More]
Starring: Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her
Starring: Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her, Geraldine Hughes, Dreama Walker, Brian Howe, John Carroll Lynch, Scott Reeves
Director: Clint Eastwood
Director: Clint Eastwood
Screenwriter: Nick Schenk
Story: Dave Johannson, Nick Schenk
Producer: Clint Eastwood, Robert Lorenz, Bill Gerber
Composer: Kyle Eastwood, Michael Stevens
Studio: Warner Bros.
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Reviews for Gran Torino
It's undeniably hokey. But all pulp fiction is ultimately a little hokey, and that's usually why the makers of such movies compensate by bringing their A-game behind the camera.
Here [Eastwood] is attempting no less than a eulogy for an America he helped define.
With Clint in the driver's seat, what might have been an old clunker comes very close to being a classic.
Climax is an overindulgent grasp at something meaningful that misses by a country mile.
We also see the development of Eastwood into the nuanced, textured actor he’s become.
Biased critics may look at Clint's work in Gran Torino and want to see something edgy, but it's really just a caricature of things that he has done before and done better.
By the time it jolts to an ending, followed by Clint rasping a tune to the closing credits, you're more likely to be rolling your eyes than dabbing them.
The movie, which has several non-professional actors in the cast, is sometimes clunky and the action is often predictable, but the character of Walt is solid gold.
A ham-fisted screenplay sets down the terms of the story with the obviousness of an old-fashioned play.
A thoughtful work that continues the actor/director's remarkable late-career surge.
"Old man Dirty Harry" is one way to describe Clint Eastwood's miserable racist character Walt Kowalski in what the actor and director says will be his last film role.
Eastwood's foursquare directorial aesthetic tends to heighten, rather than camouflage, a screenplay's shortcomings. He may well win the gold for this one. But we'll have to assume he's winning it for richer assignments en route.
And you thought Walt was kidding when he told his son early on that people would show up after the funeral because he 'suppose they heard there's gonna be a lot of ham.'
It turns out that all of the idle initial speculation that surrounded "Gran Torino" was far more entertaining than the embarrassingly hackneyed and inadvertently hilarious melodrama that is the result of all that speculation.
With Gran Torino, Eastwood puts out a brilliant work that balances all of these issues beautifully without coming to terms with any of them or giving easy answers.
Gran Torino is about two things, I believe. It's about the belated flowering of a man's better nature. And it's about Americans of different races growing more open to one another in the new century.
Latest News for Gran Torino
June 08, 2009:
RT on DVD: Gran Torino, Crossing Over, Nobel Son Exclusive Look
This week on DVD, celebrate the big screen heroics of two former movie heroes (Clint Eastwood in Gran Torino, Harrison Ford in Crossing Over) or watch Clive Owen and Naomi Watts... More...
January 19, 2009:
Box Office Guru Wrapup: Paul Blart Segways Ahead of the Competition
This weekend the North American box office was on fire once again as four new releases all scored muscular debuts helping to drive the marketplace to the biggest January weekend... More...
January 11, 2009:
Box Office Wrapup: Clint Races to #1 with Gran Torino
Clint Eastwood scored the biggest wide opening of his career with his latest effort Gran Torino which raced past the competition in its first weekend of national play to swipe... More...
January 08, 2009:
Critics Consensus: Say "I Don't" To Bride Wars
This week at the movies, we've got a bridal battle (Bride Wars, starring Anne Hathaway and Kate Hudson); a cranky car enthusiast (Gran Torino, directed by and starring Clint... More...
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