The question isn't how do you live with the buzz of looming death; it's how do you live without it? No answers are offered, or even suggested.
The Hurt Locker (2009)
Tomatometer
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Reviews Counted:171
Fresh:167
Rotten:4
Average Rating:8.4/10
Consensus: A well-acted, intensely shot, action filled war epic, Kathryn Bigelow's The Hurt Locker is thus far the best of the recent dramatizations of the Iraq War.
Rated: R [See Full Rating] for war violence and language.
Runtime: 2 hrs 11 mins
Genre: Action/Adventure
Theatrical Release:Jun 26, 2009 Limited
Box Office: $12,402,612
Synopsis:
The Hurt Locker is a riveting, suspenseful portrait of the courage under fire of the military’s most unrecognized heroes: the technicians of the bomb squad, who volunteer to challenge the odds and...
The Hurt Locker is a riveting, suspenseful portrait of the courage under fire of the military’s most unrecognized heroes: the technicians of the bomb squad, who volunteer to challenge the odds and save lives in one of the world’s most dangerous places. Three members of the Army’s elite Explosive Ordnance Disposal (EOD) squad battle insurgents and each other as they seek out and disarm a wave of roadside bombs on the streets of Baghdad -- in order to try and make the city a safer place for Iraqis and Americans alike. Their mission is clear - protect and save - but it’s anything but easy, for the margin of error on a war-zone bomb is zero. A thrilling and heart-thumping look at the effects of combat and danger on the human psyche, The Hurt Lockeris based on the first-hand observations of journalist and screenwriter Mark Boal, who was embedded with a special bomb unit in Iraq.
Visionary director Kathryn Bigelow brings together groundbreaking realistic action and intimate human drama in a gripping film starring Jeremy Renner (Dahmer, The Assassination of Jesse James), Anthony Mackie (Half Nelson, We Are Marshall) and Brian Geraghty (We Are Marshall, Jarhead), with cameo appearances by Ralph Fiennes (The Reader), David Morse (“John Adams”), Evangeline Lilly (“Lost”) and Guy Pearce (Memento). The Hurt Locker is produced by Kathryn Bigelow, Mark Boal, Greg Shapiro and Nicolas Chartier. The screenplay is written by Mark Boal (In the Valley of Elah, story). Barry Ackroyd, BSC (United 93, The Wind That Shakes the Barley) is director of photography. Production designer is Karl Juliusson (K19: The Widowmaker, Breaking the Waves). Editors are Bob Murawski (Spider-Man 2, Spider-Man 3) and Chris Innis. Costume designer is George Little (Jarhead, Crimson Tide). Music is by Academy Award Nominee Marco Beltrami and Buck Sanders (3:10 to Yuma), and sound design by Academy Award Nominee Paul N.J. Ottosson (Spider-Man 2, Spider-Man 3).
In the summer of 2004, Sergeant J.T. Sanborn (Anthony Mackie) and Specialist Owen Eldridge (Brian Geraghty) of Bravo Company are at the volatile center of the war, part of a small counterforce specifically trained to handle the homemade bombs, or Improvised Explosive Devices (IEDs), that account for more than half of American hostile deaths and have killed thousands of Iraqis. A high-pressure, high-stakes assignment, the job leaves no room for mistakes, as they learn when they lose their team leader on a mission.
When Staff Sergeant William James (Jeremy Renner) takes over the team, Sanborn and Eldridge are shocked by what seems like his reckless disregard for military protocol and basic safety measures. And yet, in the fog of war, appearances are never reliable for long. Is James really a swaggering cowboy who lives for peak experiences and the moments when the margin of error is zero or is he a consummate professional who has honed his esoteric craft to high-wire precision? As the fiery chaos of Baghdad swirls around them, the men struggle to understand and contain their new leader long enough for them to make it home. They have only 38 days left in their tour of Iraq, but with each new mission comes another deadly encounter, and as James blurs the line between bravery and bravado, it seems only a matter of time before disaster will strike.
With a visual and emotional intensity that makes audiences feel like they have been transported to Iraq¹s dizzying, 24-hour turmoil, The Hurt Locker is both a tense portrayal of real-life sacrifice and heroism, and a probing look at the soul-numbing rigors and potent allure of the modern battlefield. --© Summit Entertainment
Starring: Jeremy Renner, Anthony Mackie, Bryan Geraghty, Evangeline Lilly
Starring: Jeremy Renner, Anthony Mackie, Bryan Geraghty, Evangeline Lilly, David Morse, Ralph Fiennes, Guy Pearce
Director: Kathryn Bigelow
Director: Kathryn Bigelow
Screenwriter: Mark Boal
Producer: Kathryn Bigelow, Mark Boal, Nicolas Chartier, Greg Shapiro
Composer: Marco Beltrami, Buck Sanders
Studio: Summit Entertainment
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Reviews for The Hurt Locker
Never does Bigelow falter in her direction, which, by adroitly alternating between muscular and sensitive, reapplies a recognizable face to a conflict that is already slipping from the American public conscious with all the wispiness of a bad dream.
Like her protagonist, Bigelow is both a meticulous technician and a ballsy showoff. And, like him, she has ice water in her veins.
If The Hurt Locker doesn't break the curse of the low-performing Iraq war movie then nothing likely will, at least not anytime soon.
The Hurt Locker is at once an unforgettable war film and a brilliant character study.
Bigelow’s camera is impartial and dispassionate, but explosively powerful and unflinching. There is no commentary or judgment, just war and fatigue.
Extremely good whenever characters keep their mouths shut; when there's dialogue, it's usually heavy-handed and leading.
There's a definite absence of Hollywood gloss in Bigelow's film, which was appreciated.
This beyond-the-headlines war movie, a 'ticking clock' thriller from journalist-turned-screenwriter Mark Boal, is the first Iraq War movie to qualify as more first-rate entertainment than sermon.
What makes Hurt Locker truly great is that it's most interested in telling us an honest story about these soldiers and this war, without servicing any type of political agenda.
Some scenes in 'The Hurt Locker' are as memorable and iconic as those in 'Apocalypse Now.'
Finally, a film that shows the true face of our enemy in the war on terror from a pro-American perspective.
Kathryn Bigelow's films have ranged from Near Dark (1987) to near-disaster, but here, for the first time, she forges her mastery of detail, composition, pacing, psychological insight, and perverse beauty into a masterpiece.
I found it difficult at times to remember that these men are actors. The tension is pulled to just the right tautness to be sustained over time without having to defuse it with a narrative break. And the acting is great.
In one sense, The Hurt Locker is an old school war film %u2013 muscular, focused almost exclusively on men in combat, and not interested in politics or making a statement. But the film's also very contemporary.
It is a tremendous film that needs to be seen, and not just by the testosterone crowd.
One of the most compelling motion pictures in years, certainly among the best war films ever put on film.
Bigelow's direction is confident -- the action sequences are tense and suspenseful, so much so that The Hurt Locker also works as a straight-up war film.
Even if you think you've had your fill of Iraq stories, this is one of the worthiest -- ironically because the particularity of the conflict is little more than a footnote.
Latest News for The Hurt Locker
December 14, 2009:
Awards Tour 2009: The Hurt Locker Wins New York Film Critics Circle!
Kathryn Bigelow's surprise comeback picture takes another Best Picture win, this time defeating the competition at the New York Film Critics Circle. More...
December 13, 2009:
Awards Tour 2009: LAFCA: The Hurt Locker Tops List
More...
December 13, 2009:
Awards Tour 2009: The Hurt Locker Dominates Boston Society of Film Critics
More...
December 01, 2009:
The Hurt Locker Wins Big at Gotham Awards ![]()
"The Hurt Locker" was the big winner at the Gotham Independent Film Awards on Monday, taking home awards for best feature and ensemble cast. "Food, Inc." won the documentary... More...
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