Six years ago, Armando Iannucci's slick and merciless satire might have drawn more blood, but even now it blows away the recent competition with its sharp, sardonic dialogue and uncompromising cynicism.
In the Loop (2009)
Tomatometer
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Reviews Counted:128
Fresh:121
Rotten:7
Average Rating:7.8/10
Consensus: In the Loop is an uncommonly funny political satire that blends Dr. Strangelove with Spinal Tap for the Iraq war era.
Theatrical Release:Jul 24, 2009 Limited
Box Office: $2,251,324
Synopsis: IN THE LOOP is a fast-paced, lancet-witted ensemble comedy from first-time film director Armando Iannucci, based on his satirical BBC sitcom, THE THICK OF IT. The film tracks the lies,... IN THE LOOP is a fast-paced, lancet-witted ensemble comedy from first-time film director Armando Iannucci, based on his satirical BBC sitcom, THE THICK OF IT. The film tracks the lies, misunderstandings, good and bad intel, and PR blunders that escalate into a full-blown (fictional) crisis in the Middle East over the course of a few days, in a few conversations and meetings, in a few corridors of British and American power. Though played for laughs, the movie demonstrates how the most incidental factors (leaked papers, hastily spoken soundbites) and players (aides, interns, and low-level government officials) can influence the course of history. The pitch-perfect cast does a great job with Iannucci's script, improvising just enough to maintain the pseudo-documentary feel of the TV show. Even when the action gets loose and rollicking, the tone is tightly controlled satire, and the humor emerges organically from the situations and relationships at hand. Peter Capaldi, reprising his TV role, is hilarious as a foulmouthed, perpetually het-up Director of Communications for the British Prime Minister. Mimi Kennedy gives a droll but heartfelt performance as an antiwar U.S. diplomat and shares some touching and funny scenes with a more subdued than usual James Gandolfini as a U.S. general with surprising views on war. And Tom Hollander quietly steals the show as the hapless British Secretary of State for International Development whose careless remark in an interview sets off the events that catapult him into deeper waters than he has ever been in. [More]
Starring: Peter Capaldi, Tom Hollander, Gina McKee, James Gandolfini
Starring: Peter Capaldi, Tom Hollander, Gina McKee, James Gandolfini, Chris Addison, Mimi Kennedy, Steve Coogan, Anna Chlumsky
Director: Armando Iannucci
Director: Armando Iannucci
Screenwriter: Armando Iannucci, Jesse Armstrong, Tony Roche, Simon Blackwell
Producer: Kevin Loader, Adam Tandy
Composer: Adem Ilhan
Studio: IFC Films
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Reviews for In the Loop
The savage comedy of In The Loop is enough to justify hailing it as a triumph. What takes it to a different level is the way that Iannucci and a great team of writers ultimately manage to make the smile freeze on your face.
On the surface it sounds like the basis of a TV show but it's brilliant as a movie and you'll laugh throughout.
Iannucci’s triumph is so consummate you may want to go back to media coverage of the era with the added insight it affords.
In The Loop is a furious whirlwind of a comedy, and a swift riposte to the movie star ego massaging of the Coens' similarly-themed Burn After Reading. Hopefully, Malcolm Tucker's first silver screen adventure isn't his last.
Few comedies - least of all political parodies - can hope to match the GPM (gags-per-minutes) success of this glorious sideswipe at international diplomacy.
Spinal Tap meets Strangelove. A satirical demolition of Whitehall and Washington: politically astute, hilarious and terrifyingly real.
It’s a film that is both insanely funny and a desperate cry for sanity.
A devastating insight into the desperate state of functionaries in a technocracy.
The satire steams and fizzes like concentrated sulphuric acid. It is blisteringly offensive. Armando Iannucci’s debut feature film In the Loop is the kind of movie that makes you proud to be British.
The first really satisfying, really fearless dramatic assault on the scandal of Iraq.
It’s a sharper, bawdier version of Yes, Minister. And ultimately just as cosy, colluding in our cynicism about politicians rather than challenging it.
In The Loop may have worked equally well on TV, but no rib is left untickled in a quickfire satire that depresses as much as it amuses. Gets our vote.
In this department, In The Loop commendably resembles a Howard Hawks-style screwball comedy enhanced with the furious profanities of a David Mamet play.
There are at least thirty genuine laugh-out-loud moments and I honestly cannot recall a single other film with that hit rate. In The Loop boasts one of the funniest scripts ever written and some of the strongest performances in a comedy since Spinal Tap.
A fantastic cast, a razor sharp script and an all too realistic story makes this an absolute must see.
It's mercilessly accurate in its analysis of what's most wrong with New Labour, and it made me laugh out loud at least 20 more times than The Boat That Rocked.
The subjects of Iannucci's ire aren't exactly hard targets while the movie has so much fun shooting those barrel-bound fish, it forgets to bring anything terribly revealing to the table.
Writer/director Armando Iannucci hits home so brilliantly in what is essentially a big-screen version of TV’s The Thick Of It. The Sneak cannot overuse the word “funny” enough to describe In The Loop. It is funny, funny, funny.
This – Iannucci’s large-screen lampoon on the corridors of power and PR – is a rabbit version of The Thick of It. It scurries about for two hours with bared but biteless teeth.
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