Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.
Inglourious Basterds (2009)
Tomatometer
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Reviews Counted:40
Fresh:30
Rotten:10
Average Rating:7/10
Consensus: A classic Tarantino genre-blending thrill ride, Inglourious Basterds is violent, unrestrained, and thoroughly entertaining,
Rated: R [See Full Rating] for strong graphic violence, language and brief sexuality.
Runtime: 2 hrs 33 mins
Genre: Action/Adventure
Theatrical Release:Aug 21, 2009 Wide
Box Office: $120,523,073
Synopsis:
Inglourious Basterds begins in German-occupied France, where Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz)....
Inglourious Basterds begins in German-occupied France, where Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema.
Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as "The Basterds," Raine's squad joins German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own... --© Weinstein Co. and Universal Pictures
Starring: Brad Pitt, Christoph Waltz, Michael Fassbender, Eli Roth
Starring: Brad Pitt, Christoph Waltz, Michael Fassbender, Eli Roth, Diane Kruger, Daniel Bruhl, Til Schweiger, Melanie Laurent, August Diehl, Julie Dreyfus, Sylvester Groth, Jacky Ido, Denis Menochet, Mike Myers, Rod Taylor, Martin Wuttke, Samm Levine, B.J. Novak
Director: Quentin Tarantino
Director: Quentin Tarantino
Screenwriter: Quentin Tarantino
Producer: Lawrence Bender
Composer: Ennio Morricone
Studio: Miramax Films
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Reviews for Inglourious Basterds
Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.
I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.
It's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant -- perhaps even dangerous -- lack of concern with the story's moral dimensions.
Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.
The picture contains all the things his fans like about Tarantino -- the wit, the audacity, the sudden violence -- but this movie's emotional core and bigness of spirit are new.
War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.
Scenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.
All the trademark Tarantino flourishes are here -- the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence -- but they don't add up to much.
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.
For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.
I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2˝ hours. The opening is as good a sequence as Tarantino has ever created.
The true moral universe in which the film unfolds is that of the spaghetti westerns...: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.
Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.
Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.
Quentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.
When a man makes a movie this good, you can forgive him the occasional indulgence.
Basterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.
Latest News for Inglourious Basterds
December 17, 2009:
Awards Tour 2009: SAG Nominations Are In!
The Screen Actors Guild Awards nominations have just been announced, and multiple actors have received more than one nomination. In particular, cast members of Inglourious... More...
December 16, 2009:
RT on DVD: Inglourious Basterds, Year One, The Ugly Truth
It's a bingo this week with Tarantino's 'Inglourious Basterds' goose stepping onto DVD and Blu-ray, leading -- by a long margin -- the Jack Black-Michael Cera goof-off 'Year... More...
December 14, 2009:
RT on DVD & Blu-Ray: Inglourious Basterds and a Hangover
This week on home video, we've got a bizarre combination of interests represented by new releases. With the holiday season in full swing, what better gift to give than... a... More...
December 14, 2009:
Awards Tour 2009: Inglourious Basterds Lead Critics Choice Noms
High-profile awards ceremony picks QT's epic film homage as among the year's best. Will this lead to big things on Oscar night? More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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