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Movies / In Theaters / La Danse: The Paris Opera Ballet
La Danse: The Paris Opera Ballet

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La Danse: The Paris Opera Ballet (2009)

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Reviews Counted:20

Fresh:19

Rotten:1

Average Rating:8.2/10

Rated: Not Rated

Genre: Education/General Interest

Theatrical Release:Nov 4, 2009 Limited

Box Office: $283,995

Synopsis: In Wiseman’s 38th film John Davey’s camera roams the vast Palais Garnier, an opulent 19th century pile of a building: from its crystal chandelier-laden corridors to its labyrinthine underground... In Wiseman’s 38th film John Davey’s camera roams the vast Palais Garnier, an opulent 19th century pile of a building: from its crystal chandelier-laden corridors to its labyrinthine underground chambers, from its light-filled rehearsal studios to its luxurious theater replete with 2,200 scarlet velvet seats and Marc Chagall ceiling. LA DANSE devotes most of its time to watching impossibly beautiful young men and women — among them Nicolas Le Riche, Marie-Agnès Gillot, and Agnès Letestu — rehearsing the choreography of Mats Ek, Wayne McGregor, Rudolf Nureyev and Pina Bausch. For balletomanes and the curious alike, LA DANSE serves up a scrumptious meal of delectable moments, one more glorious than the next, made even more precious by their ephemeral nature. --© Laemmle [More]

Director: Frederick Wiseman

Director: Frederick Wiseman
Studio: Zipporah Films

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Reviews for La Danse: The Paris Opera Ballet

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The fact that the 79-year-old Frederick Wiseman is still making movies after his debut in the mid-1960s demonstrates that there's still a market for his work, and if he continues to make first rate documentaries like' La Danse: The Paris Opera Ballet,' th

Full Review Source: eFilmCritic.com | comment Comment
12/18/09
Dan Lybarger
Dan Lybarger
eFilmCritic.com

Without the distractions of 'documentary' data, the film becomes a pure, almost meditative experience...

Full Review Source: Commercial Appeal (Memphis, TN) | comment Comment
12/18/09
John Beifuss
John Beifuss
Commercial Appeal (Memphis, TN)

A unique kind of magic: a documentary about the work in art that is itself a work of art.

Full Review Source: Boston Globe | comment Comment
12/16/09
Wesley Morris
Wesley Morris
Boston Globe
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A remarkably intimate and nearly meditative cinematic experience, as Wiseman all but embeds his audience with the ballet.

Full Review Source: Times-Picayune | comment Comment
12/11/09
Mike Scott
Mike Scott
Times-Picayune

La Danse easily qualifies as a must-see for any ballet fan, and even two-left-footers may discover a new appreciation for the art.

Full Review Source: Oregonian | comment Comment
12/11/09
Oregonian

Wiseman's camera wanders upstairs, downstairs, backstage, and even to the Garnier's rooftop apiary.

Full Review Source: Boston Phoenix | comment Comment
12/09/09
Jeffrey Gantz
Jeffrey Gantz
Boston Phoenix

Wiseman is precise, revealing to the viewer exactly what he wants you to see, in sync with the company's cautious administration.

Full Review Source: Film-Forward.com | comment Comment
12/08/09
Kent Turner
Kent Turner
Film-Forward.com

La Danse: The Paris Opera Ballet, Frederick Wiseman's astoundingly beautiful documentary, has sumptuous delights to satisfy every balletomane.

Full Review Source: San Francisco Chronicle | comment Comment
12/04/09
John R. Killacky
John R. Killacky
San Francisco Chronicle
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Captures the fleeting beauty of ballet in dozens of miniature portraits, each quietly soaring. This movie just goes up there and stays there, and it's magical.

Full Review Source: Seattle Times | comment Comment
12/03/09
Moira MacDonald
Moira MacDonald
Seattle Times

The effort of the Paris Opera Company is astonishing, but La danse is a documentary triumph, making the mundane components of perfectionism feel as tense and engrossing as any fireball-happy Hollywood blockbuster.

Full Review Source: BrianOrndorf.com | comment Comment
12/03/09
Brian Orndorf
Brian Orndorf
BrianOrndorf.com

A rapturous (if occasionally disorienting) dance film precisely choreographed with seeming artlessness.

Full Review Source: Entertainment Weekly | comment Comment
12/02/09
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
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Bodies in motion tend to remain in motion, but almost never with the heart-stirring beauty and grace on view in Frederick Wiseman's exceptional portrait of the Paris Opera Ballet, La Danse.

Full Review Source: Los Angeles Times | comment Comment
11/19/09
Kenneth Turan
Kenneth Turan
Los Angeles Times
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Work is at the center of Frederick Wiseman's absorbing documentary, La Danse: The Paris Opera Ballet.

Full Review Source: Nitrate Online | comment Comment
11/19/09
Cynthia Fuchs
Cynthia Fuchs
Nitrate Online

One of the finest dance films ever made, but there’s more to it than that.

Full Review Source: New York Times | comment Comment
11/06/09
A.O. Scott
A.O. Scott
New York Times
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At a shade over two and a half hours, La Danse is compact by Wiseman’s standards, and it feels much shorter, gracefully flowing from ballerinas en pointe to construction workers patching cracks in the ceiling.

Full Review Source: AV Club | comment Comment
11/05/09
Sam Adams
Sam Adams
AV Club

Wiseman’s films are as much living organisms as they are subjective portraits.

Full Review Source: Time Out New York | comment Comment
11/04/09
Keith Uhlich
Keith Uhlich
Time Out New York

Offers a portrait of suppleness and agility -- not just that of the dancers' bodies, but also of the august institution of the title.

Full Review Source: Village Voice | comment Comment
11/03/09
Melissa Anderson
Melissa Anderson
Village Voice
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A portrait of one of the world’s great companies by one of the world’s great vérité documentarians.

Full Review Source: New York Magazine | comment Comment
11/02/09
David Edelstein
David Edelstein
New York Magazine
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Wiseman is principally concerned with process here, the process of art's creation and, to a lesser degree, the process of an institution's functioning.

Full Review Source: Slant Magazine | comment Comment
11/01/09
Andrew Schenker
Andrew Schenker
Slant Magazine

It’s a joyous experience to see an institution in full flower-- to see not dereliction and disorder but the many forms of striving and virtue.

Full Review Source: New Yorker | comment Comment
10/26/09
David Denby
David Denby
New Yorker
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