Somers Town is a small-scale jewel that will surprise you with its buoyant look at blighted lives.
Somers Town (2009)
Tomatometer
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Reviews Counted:46
Fresh:44
Rotten:2
Average Rating:7.3/10
Consensus: Shane Meadows hits the spot with this short but sweet slice of good natured comedy, surprisingly, as it’s essentially an extended black & white advert for a train station.
Theatrical Release:Jul 15, 2009 Limited
Synopsis: Two teenagers, both newcomers to London, forge an unlikely friendship over the course of a hot summer. Tomo (Thomas Turgoose) is a runaway from Nottingham; Marek (Piotr Jagiello), a Polish... Two teenagers, both newcomers to London, forge an unlikely friendship over the course of a hot summer. Tomo (Thomas Turgoose) is a runaway from Nottingham; Marek (Piotr Jagiello), a Polish immigrant, lives in the district of Somers Town, between King's Cross and Euston stations, where his dad is working on a new rail link. When Marke agrees to let homeless Tomo move into his room, unbeknownst to his father, the pair forms a strong bond, as they work odd jobs for an eccentric neighbor and compete for the attention of Maria, a beautiful young French waitress whom they are both infatuated with. But it's only a matter of time before Marek's dad discovers what's going on... --© Film Movement [More]
Starring: Thomas Turgoose, Piotr Jagiello, Ireneusz Czop, Perry Benson
Starring: Thomas Turgoose, Piotr Jagiello, Ireneusz Czop, Perry Benson, Elisa Lasowski
Director: Shane Meadows
Director: Shane Meadows
Screenwriter: Paul Fraser
Producer: Barnaby Spurrier
Composer: Gavin Clark
Studio: Film Movement
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Reviews for Somers Town
If Somers Town were any more unassuming, it would risk disappearing completely. Seventy-two minutes long, in black and white, with a cast as starless as a cloudy night, it is a British triumph.
...Meadows' method of working with improvised scenes shot in long takes gives it a sense of emotional truth which is lacking in many more ambitious films.
It's a slight, gentle, sweet-natured comedy shot in black and white, and blessed with a lovely performance from Meadows' great find, Thomas Turgoose.
uses every second of his 70-minute runtime rather than adding on perfunctory storylines or resorting to expositional sequences
There are some laughs – but the jokes don’t come thick and fast. The film’s portrayal of friendship is always warm and sensitive.
Another beautifully crafted film, as well as a great London film, from the finest British director working today.
For all the sly humour, though, Somers Town is a hollow pleasure. It aspires to the new wave of London immigration thrillers by Stephen Frears and Anthony Minghella. But it’s not cruel enough.
Meadows gives his film so much forward thrust it feels like a road movie as it follows the ramblings of his two young leads.
An authentic sense of humour and a brightly rendered sense of hopefulness lend this film the qualities of a timeless cinematic classic.
Shane Meadows has been busily carving out his own corner in British cinema.
Somers Town, shot in glimmering black and white, reveals a working class England that brims with possibility.
Sweet, poignant and with an undercurrent of wickedly funny humour, it’s not just a total joy but one of those rare films that can be savoured again and again.
Basically a comedy but with typically Meadowsian dark edges, it forms an affectionate tribute to cross-cultural friendship and the rapidly changing landscape known as Somers Town.
Meadows has made a lovely film about the ability of the imagination to offset the harshness of reality.
Meadows in a minor key but still a major delight; his improvised feel, sparky comedy and interest in the truth of youth services a story that's both winning and winsome.
As in all of Meadows's films, Somers Town emphasizes the importance of character and particularly of camaraderie amongst male characters--here, teenagers who nick clothes from the local laundry, get drunk in the park, and furtively investigate masculinity
Somers Town is a funny and endearing character comedy whose extra-brief, 70-minute running time proves perfectly adequate for its slender, episodic story.
Turgoose continues to convince as a kid whose personality wavers daily if not hourly, while Jagiello playfully suggests that Marek is becoming the perfect straight man.
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