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Tony Manero

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Tony Manero (2009)

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Reviews Counted:6

Fresh:6

Rotten:0

Average Rating:8/10

Consensus: Deliberately provocative, Tony Manero is as challenging and compelling as it is difficult to describe.

Rated: Not Rated

Runtime: 1 hr 38 mins

Genre: Foreign Films

Theatrical Release:Jul 3, 2009 Limited

Synopsis: Chilean director Pablo Lorrain's TONY MANERO is a film that has very few cinematic precedents, if any. Establishing a tone of its daringly original own, it somehow manages to be three things at... Chilean director Pablo Lorrain's TONY MANERO is a film that has very few cinematic precedents, if any. Establishing a tone of its daringly original own, it somehow manages to be three things at once: a powerful portrait of life lived under a dictatorship, a bitter critique of an individual who will do anything to reach his goal, and a blackly comic satire of celebrity obsession. Raul Peralta (Alfredo Castro) is a 50-something man who lives in Santiago during the fearful, suffocating days of Augusto Pinochet's rule. Raul is obsessed with John Travolta's character from SATURDAY NIGHT FEVER--hence, the film's title--to the point where he's even bought a white suit similar to Manero's. Each weekend, he performs with a small group of dancers at a small bar, recreating the moves from his favorite movie. But when the stage's wood begins to weaken, Raul is determined to rebuild it with glass blocks that light up. He finds an even more important purpose when a television station announces that they're holding a Tony Manero dance-and-look-a-like contest. In such a stifling social climate, Raul takes matters into his own hands, doing whatever it takes to make his dream come true. The tone of TONY MANERO is virtually impossible to describe, for the film's most brutal moments are actually its funniest. It doesn't seem appropriate to laugh at Raul's violent, unethical behavior, but it's hard not to. The fact that Lorrain chose to shoot the film in a fly-on-the-wall manner on grainy 16mm contrasts with the outlandish situations unfolding within the frame, resulting in an experience that will confuse many viewers and electrify others. TONY MANERO is a startlingly original achievement, marking Lorrain as a director to watch in the future. [More]

Starring: Alfredo Castro, Amparo Noguera, Paola Lattus, Hector Morales

Starring: Alfredo Castro, Amparo Noguera, Paola Lattus, Hector Morales, Elsa Poblete

Director: Pablo Larrain

Director: Pablo Larrain
Screenwriter: Pablo Larrain, Alfredo Castro, Mateo Iribarren
Producer: Juan de Dios Larrain
Studio: Koch Lorber Films

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Reviews for Tony Manero

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Larrain's (literally) dark, edgy movie is a precise artistic commentary on Augusto Pinochet's miserable regime, which was 
under way while Travolta gyrated.

Full Review Source: Entertainment Weekly | comment Comment
07/22/09
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
Top Critic Icon Top Critic

Larrain evokes the bleakness and oppressiveness of life in a police state with much subtlety even as he poses a much larger question about cultural imperialism.

Full Review Source: Los Angeles Times | comment Comment
07/20/09
Kevin Thomas
Kevin Thomas
Los Angeles Times
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Shot with a hand-held camera and presented in a fragmented scenario, Tony Manero is the director's compelling attempt to find parallels between the Pinochet reign of terror and Raśl's scruple-less antics.

Full Review Source: New York Post | comment Comment
07/03/09
V.A. Musetto
V.A. Musetto
New York Post
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A memorably claustrophobic evocation of its time and place, as well as a reminder that the so-called escape offered by pop culture can sometimes be an escape into soul-sucking madness.

Full Review Source: Salon.com | comment Comment
07/03/09
Andrew O'Hehir
Andrew O'Hehir
Salon.com
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More than an indelible portrait of a sociopath with the soul of a zombie, Tony Manero is an extremely dark meditation on borrowed cultural identity.

Full Review Source: New York Times | comment Comment
07/03/09
Stephen Holden
Stephen Holden
New York Times
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Tony Manero has a purposefully murky look and a frantic feel.

Full Review Source: Village Voice | comment Comment
05/12/09
J. Hoberman
J. Hoberman
Village Voice
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