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Tony Manero

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Tony Manero (2009)

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Reviews Counted:28

Fresh:24

Rotten:4

Average Rating:6.8/10

Consensus: Deliberately provocative, Tony Manero is as challenging and compelling as it is difficult to describe.

Rated: Not Rated

Runtime: 1 hr 38 mins

Genre: Foreign Films

Theatrical Release:Jul 3, 2009 Limited

Synopsis: Chilean director Pablo Lorrain's TONY MANERO is a film that has very few cinematic precedents, if any. Establishing a tone of its daringly original own, it somehow manages to be three things at... Chilean director Pablo Lorrain's TONY MANERO is a film that has very few cinematic precedents, if any. Establishing a tone of its daringly original own, it somehow manages to be three things at once: a powerful portrait of life lived under a dictatorship, a bitter critique of an individual who will do anything to reach his goal, and a blackly comic satire of celebrity obsession. Raul Peralta (Alfredo Castro) is a 50-something man who lives in Santiago during the fearful, suffocating days of Augusto Pinochet's rule. Raul is obsessed with John Travolta's character from SATURDAY NIGHT FEVER--hence, the film's title--to the point where he's even bought a white suit similar to Manero's. Each weekend, he performs with a small group of dancers at a small bar, recreating the moves from his favorite movie. But when the stage's wood begins to weaken, Raul is determined to rebuild it with glass blocks that light up. He finds an even more important purpose when a television station announces that they're holding a Tony Manero dance-and-look-a-like contest. In such a stifling social climate, Raul takes matters into his own hands, doing whatever it takes to make his dream come true. The tone of TONY MANERO is virtually impossible to describe, for the film's most brutal moments are actually its funniest. It doesn't seem appropriate to laugh at Raul's violent, unethical behavior, but it's hard not to. The fact that Lorrain chose to shoot the film in a fly-on-the-wall manner on grainy 16mm contrasts with the outlandish situations unfolding within the frame, resulting in an experience that will confuse many viewers and electrify others. TONY MANERO is a startlingly original achievement, marking Lorrain as a director to watch in the future. [More]

Starring: Alfredo Castro, Amparo Noguera, Paola Lattus, Hector Morales

Starring: Alfredo Castro, Amparo Noguera, Paola Lattus, Hector Morales, Elsa Poblete

Director: Pablo Larrain

Director: Pablo Larrain
Screenwriter: Pablo Larrain, Alfredo Castro, Mateo Iribarren
Producer: Juan de Dios Larrain
Studio: Koch Lorber Films

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Reviews for Tony Manero

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21 - 28 (sorted by date)
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This tough, impassive, marvellous second feature from young Chilean Pablo Larraín exhibits a candour and keen eye for its ‘lower depths’ milieu worthy of Pasolini at his most austere and non-judgmental.

Full Review Source: Time Out | comment Comment
04/09/09
Wally Hammond
Wally Hammond
Time Out

The brilliance of Tony Manero is that it is so black-hearted. There are no forgivable souls within miles. The squalor is a masterclass in tack. The ghoulish hook is that it is totally compelling.

Full Review Source: Times [UK] | comment Comment
04/09/09
James Christopher
James Christopher
Times [UK]

Thanks to Castro’s creepy turn, this offbeat tale of a loon locked in his own disco inferno is strange enough to give anyone the heebie-Bee Gees. That said, some may find it hard to take an anti-hero without one redeeming feature.

Full Review Source: Total Film | comment Comment
04/09/09
Neil Smith
Neil Smith
Total Film

A highly original portrait of a sociopath in a corrupt, festering, morally bankrupt society, this bleakly funny psycho-horror movie makes for clammy, compulsive viewing.

Full Review Source: Uncut Magazine [UK] | comment Comment
04/09/09
Stephen Dalton
Stephen Dalton
Uncut Magazine [UK]

Writer-director Pablo Larraín keeps the uneasy laughter coming, and the nervous shocks, as light entertainment. Latin style has its darkest hour.

Full Review Source: Financial Times | comment Comment
04/09/09
Nigel Andrews
Nigel Andrews
Financial Times

A highlight of the Cannes Fest, Larrain's Tony Manero, Chile's Oscar entry, is a poignant study of the excessive impact of pop culture (Travolta's Saturday Night fever) on one deranged man, set amidst Pinochet's dictatorship of the 1970s.

Full Review Source: EmanuelLevy.Com | comment Comment
01/10/09
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

For actor Alfredo Castro's sinister steely stare alone, Tony Manero memorably stands out weeks after its screening.

Full Review Source: Film-Forward.com | comment Comment
10/20/08
Kent Turner
Kent Turner
Film-Forward.com

A magnificently deranged study of overboard pop-culture fandom and authoritarian rule's destructive effect on its citizenry.

Full Review Source: Slant Magazine | comment Comment
09/22/08
Nick Schager
Nick Schager
Slant Magazine
 
 
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