Tomato 3/5 |
A Crude Awakening: The Oil Crash (2006) |
"A horribly enlightening documentary." |
Xan Brooks |
Tomato |
A Prophet (2009) |
"The film shows Audiard to be the biggest beast in new French cinema." |
Peter Bradshaw |
Tomato 3/5 |
A Scanner Darkly (2006) |
"Not a triumph, but a clever rendering of the subversive spirit of Philip K Dick." |
Peter Bradshaw |
Tomato 4/5 |
A Throw of Dice (1929) |
"Extravagantly romantic, with a stirring score by Nitin Sawhney." |
Peter Bradshaw |
Splat |
A.I. Artificial Intelligence (2001) |
"It's an almost laughably creaky museum piece." |
Peter Bradshaw |
- |
ABC Africa (2002) |
Click here to see the review. |
|
- |
The Abduction Club (2002) |
Click here to see the review. |
|
- |
Abouna (2004) |
Click here to see the review. |
|
- |
About a Boy (2002) |
Click here to see the review. |
|
- |
About Schmidt (2002) |
Click here to see the review. |
|
- |
Accepted (2006) |
Click here to see the review. |
Peter Bradshaw |
Tomato 4/5 |
Accident |
"I personally think Losey's The Servant is the more interesting film, because it has the more interesting performance from Bogarde." |
Peter Bradshaw |
Splat 1/5 |
The Accidental Husband (2009) |
"This week we learned that 99% of Sun readers want a return to capital punishment. I learned that 100% of me wants it for 100% of people involved in this romcom." |
Peter Bradshaw |
Splat 1/5 |
Across the Universe (2007) |
"After two hours of butchered classics, it's just a relief when it's over." |
Andrew Pulver |
- |
The Actors (2003) |
Click here to see the review. |
|
Splat 2/5 |
Adam (2009) |
"Despite obvious good intentions, this feels dishonest, and I suspect not very true to life. Worst of all, it risks trivialising mental illness into lovable quirks." |
Cath Clarke |
Splat |
Adam Sandler's Eight Crazy Nights (2002) |
"Quite the worst animated movie of the year..." |
Philip French |
Tomato 3/5 |
Adaptation (2002) |
"Cage gives one of the best performances of his recent career as the Kaufmans. He's a natural in this role, especially when that great horse face breaks into an ingratiating grin..." |
Peter Bradshaw |
Tomato 4/5 |
Adventureland (2009) |
"A tremendously funny and touching coming-of-age story, which he has set in the 1980s with a sprinkling of nicely chosen cultural references." |
Peter Bradshaw |
Splat 2/5 |
Aeon Flux (2005) |
"It's made with some style, but flags after the first rip-roaring action moments." |
Peter Bradshaw |
Splat 2/5 |
The Aerial (2007) |
"This left-field, futuristic film is a tad too indulgent to be a true homage to the silent movie." |
Peter Bradshaw |
- |
The Affair of the Necklace (2001) |
Click here to see the review. |
|
Tomato 3/5 |
Afghan Star (2009) |
"It's a shrewd and entertaining guide to this popular phenomenon, which even the Taliban cannot quite suppress, though nothing in the film quite matches the poignancy and power of its opening minute, showing a blind child singing about the power of love." |
Peter Bradshaw |
- |
L' Afrance (2001) |
Click here to see the review. |
|
Tomato 3/5 |
Afro Saxons (2008) |
"In its unpretentious way, this film has something to say about creativity and entrepreneurialism in modern Britain, and it's impossible to watch it without a smile on your face." |
Peter Bradshaw |
- |
After Midnight (2004) |
Click here to see the review. |
Peter Bradshaw |
- |
After the Life (2002) |
Click here to see the review. |
|
Tomato 3/5 |
After The Wedding (2007) |
"As with many of Bier's films, a certain suspension of disbelief is necessary: but she has a distinctive and engaging storytelling style." |
Peter Bradshaw |
Tomato 4/5 |
Afterschool (2009) |
"An intelligent, often gripping, and intriguingly autobiographical drama of paranoia." |
Peter Bradshaw |
Splat 2/5 |
The Agent (2009) |
"I found something a little verbose and stagey in this story in movie form." |
Peter Bradshaw |
- |
Agent Cody Banks (2003) |
Click here to see the review. |
|
- |
Agent Cody Banks 2: Destination London (2004) |
Click here to see the review. |
|
- |
Aguirre, the Wrath of God (1973) |
Click here to see the review. |
|
- |
Aileen: The Life and Death of a Serial Killer (2003) |
Click here to see the review. |
|
- |
Aimee & Jaguar (2000) |
Click here to see the review. |
|
Splat 2/5 |
Air Guitar Nation (2007) |
"Like most guitar solos, the film doesn't quite know when to quit." |
Xan Brooks |
- |
AKA (2002) |
Click here to see the review. |
|
Splat 1/5 |
Akeelah and the Bee (2006) |
"Give it an m, i, s, s." |
Peter Bradshaw |
- |
alaska.de (2000) |
Click here to see the review. |
|
Tomato 4/5 |
Alexandra (2008) |
"A bone-weariness pervades every inch of the film; even the light is bleached dry of vitality." |
Cath Clarke |
- |
Ali (2001) |
Click here to see the review. |
|
- |
Ali G Indahouse: The Movie (2002) |
Click here to see the review. |
|
- |
Ali Zaoua (2000) |
Click here to see the review. |
|
- |
Alias Betty (2002) |
Click here to see the review. |
|
Tomato 4/5 |
Alice in the Cities |
"A fine and perhaps unique example of that trickiest of genres, the road movie, and the sort of film that really does deserve the cliched response: they don't make them like that any more, because they really don't." |
Peter Bradshaw |
Tomato 3/5 |
Alice Neel (2007) |
"There's much pungent detail on offer here, chronicling Neel's unorthodox lifestyle in Cuba and Spanish Harlem, and the struggles she had in an era when abstract painting was triumphant; all of which is given a little more edge than you might expect." |
Andrew Pulver |
Tomato |
Alien (1979) |
"Superbly paced, imaginatively designed, consistently suspenseful and never attracts an unintentional laugh." |
Philip French |
Splat 2/5 |
Aliens in the Attic (2009) |
"You could take the kids to see it this summer holiday and avoid an hour or so of rain - or rent the DVD later on. Inoffensive." |
Peter Bradshaw |
Splat 1/5 |
Aliens Vs. Predator: Requiem (2007) |
"The world's most illogical and boring action-horror grudge-match between two dull trademarked franchise monsters is back on." |
Peter Bradshaw |
Tomato 5/5 |
All About Eve (1950) |
"Here is a real Christmas treat: a restored version of Joseph L Mankiewicz's jet-black 1950 comedy about Margo Channing, elegant leading lady of the theatre, superbly played by Bette Davis." |
Peter Bradshaw |
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